{"id":4504,"date":"2016-10-17T09:15:15","date_gmt":"2016-10-17T07:15:15","guid":{"rendered":"\/\/klasmann-deilmann.com\/en\/?p=4504"},"modified":"2024-10-09T10:25:33","modified_gmt":"2024-10-09T08:25:33","slug":"klasmann-deilmann-china-helps-shakespeare","status":"publish","type":"post","link":"https:\/\/klasmann-deilmann.com\/en\/klasmann-deilmann-china-helps-shakespeare\/","title":{"rendered":"Klasmann-Deilmann China helps Shakespeare"},"content":{"rendered":"

Berlin\u2019s \u201cSchaub\u00fchne\u201d company brings peat onto Chinese stage<\/strong><\/p>\n

A substrate is normally used as the medium for cultivating plants. But Berlin\u2019s Schaub\u00fchne Theatre cultivated something very special in peat provided by Klasmann-Deilmann China: during its tour of China, the Schaub\u00fchne Theatre brought peat onto the stage for its production of Shakespeare\u2019s Richard III.<\/strong><\/p>\n

\u201cA horse, a horse, my kingdom for a horse\u201d are the last words spoken by the tyrannical king Richard III as he flees from the battle of Bosworth before being cut down by his rival. Marked by natural deformity, in Shakespeare\u2019s play the king plays the role of a villain. Murders and intrigues help him to gain the throne, even though his reign founded on bloody deeds does not last long.<\/p>\n

Director Thomas Ostermeier turns the gloomy historical play by English playwright William Shakespeare into a peaty affair: for its performances in Harbin Grand Theatre and in Tianjin Grand Theatre in China, the theatre ensemble with leading man Lars Eidinger acted on a stage covered with peat. Supplied by Klasmann-Deilmann China.<\/p>\n

\"china_declair\"<\/p>\n

Photo: Arno Declair<\/p>\n<\/div>\n

Up until last year, Berlin\u2019s Schaub\u00fchne Theatre at Lehniner Platz also obtained the peat needed for its productions from Klasmann-Deilmann. Back then, it was a brooding Prince Hamlet who wandered in peat across the stage to ask that most philosophical of all questions: \u201cTo be or not to be?\u201d. The cooperation began already back in 2010. At that point in time, the Schaub\u00fchne used our Potgrond P for its production.<\/p>\n

The first cultural appearance for one of our substrates took place in spring 2007 when D\u00fcsseldorf\u2019s Schauspielhaus Theatre performed Federico Garc\u00eda Lorca\u2019s \u201cBlood Wedding\u201d. The gloomy atmosphere of the play was underlined by a crypt-like stage set with one of our black peat-based substrates on the floor. At the end of the season, the recyclable soils were used for soil improvement in D\u00fcsseldorf\u2019s open spaces.<\/p>\n

 <\/p>\n

<\/p>\n

Photo: Duan Chao<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Berlin\u2019s \u201cSchaub\u00fchne\u201d company brings peat onto Chinese stage A substrate is normally used as the medium for cultivating plants. 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